Benutzer:Arcomelo/Charts Musiktheorie
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Monatlich aktualisierter TOP 200 von Seiten in der Kategorie Musiktheorie (dank Krdbot):
Name |
Back -links |
Rang 2024 -03 |
∅ Zugriffe pro Tag 2024 -03 |
Rang 2024 -04 |
∅ Zugriffe pro Tag 2024 -04 |
Anmerkungen / Bearbeiter | ||
---|---|---|---|---|---|---|---|---|
James Last | 446 | 1 | 826 | 1 | 785 | |||
Quintenzirkel | 118 | 3 | 526 | 2 | 587 | +1 | ||
Gustav Mahler | 1757 | 2 | 639 | 3 | 545 | -1 | ||
Theodor W. Adorno | 1283 | 4 | 520 | 4 | 499 | |||
Arnold Schönberg | 1537 | 17 | 262 | 5 | 455 | +12 | ||
Augustinus von Hippo | 1888 | 9 | 368 | 6 | 401 | +3 | ||
Pythagoras | 377 | 10 | 353 | 7 | 367 | +3 | ||
Vergleichszeichen | 102 | 11 | 338 | 8 | 366 | +3 | ||
Liste musikalischer Symbole | 1 | 13 | 328 | 9 | 361 | +4 | ||
Leonhard Euler | 746 | 12 | 335 | 10 | 329 | +2 | ||
Schlager | 2339 | 14 | 303 | 11 | 319 | +3 | ||
Tempo (Musik) | 681 | 16 | 277 | 12 | 260 | +4 | ||
Musik der Romantik | 514 | 20 | 227 | 13 | 248 | +7 | ||
Oper | 5000 | 19 | 233 | 14 | 244 | +5 | ||
Michael Flatley | 40 | 118 | 68 | 15 | 240 | +103 | ||
Quincy Jones | 802 | 6 | 476 | 16 | 239 | -10 | ||
Notenschlüssel | 97 | 18 | 251 | 17 | 233 | +1 | ||
Lord of the Dance | 36 | 173 | 49 | 18 | 233 | +155 | ||
Stimmlage | 714 | 21 | 227 | 19 | 225 | +2 | ||
Rickie Lee Jones | 108 | 409 | 16 | 20 | 218 | +389 | ||
Moshpit | 35 | 22 | 225 | 21 | 217 | +1 | ||
Flamenco | 685 | 25 | 205 | 22 | 205 | +3 | ||
Musical | 5000 | 32 | 176 | 23 | 201 | +9 | ||
Burlesque | 147 | 24 | 206 | 24 | 195 | |||
Falsett | 340 | 40 | 156 | 25 | 195 | +15 | ||
Jacob Collier | 61 | 8 | 426 | 26 | 187 | -18 | ||
Intervall (Musik) | 449 | 35 | 172 | 27 | 185 | +8 | ||
Tonleiter | 363 | 26 | 199 | 28 | 185 | -2 | ||
Ballett | 2612 | 31 | 176 | 29 | 184 | +2 | ||
Zwölftontechnik | 274 | 30 | 178 | 30 | 180 | |||
Sinfonie | 1293 | 36 | 162 | 31 | 172 | +5 | ||
Glenn Miller | 511 | 5 | 508 | 32 | 169 | -27 | ||
Kammerton | 126 | 29 | 181 | 33 | 169 | -4 | ||
Requiem | 704 | 23 | 208 | 34 | 168 | -11 | ||
Claudius Ptolemäus | 1019 | 38 | 161 | 35 | 166 | +3 | ||
Pentatonik | 267 | 43 | 151 | 36 | 163 | +7 | ||
Tenor | 2557 | 46 | 140 | 37 | 162 | +9 | ||
Fuge (Musik) | 627 | 34 | 173 | 38 | 160 | -4 | ||
Line Dance | 52 | 41 | 155 | 39 | 156 | +2 | ||
Notation (Musik) | 362 | 42 | 153 | 40 | 148 | +2 | ||
Kastrat | 386 | 39 | 160 | 41 | 146 | -2 | ||
Ballade | 1019 | 44 | 142 | 42 | 141 | +2 | ||
Synkope (Musik) | 460 | 60 | 119 | 43 | 139 | +17 | ||
Oratorium | 1816 | 33 | 175 | 44 | 138 | -11 | ||
Kakophonie | 77 | 27 | 185 | 45 | 136 | -18 | ||
Oktave | 736 | 50 | 133 | 46 | 135 | +4 | ||
Gregorianischer Choral | 662 | 54 | 129 | 47 | 134 | +7 | ||
Kadenz (Harmonielehre) | 324 | 62 | 115 | 48 | 130 | +14 | ||
Frequenzen der gleichstufigen Stimmung | 14 | 37 | 161 | 49 | 128 | -12 | ||
Tutti | 195 | 53 | 130 | 50 | 127 | +3 | ||
Tango (Standardtanz) | 154 | 47 | 138 | 51 | 126 | -4 | ||
Pogo | 56 | 58 | 120 | 52 | 124 | +6 | ||
Kontrapunkt | 1262 | 61 | 117 | 53 | 124 | +8 | ||
Cancan | 67 | 79 | 97 | 54 | 122 | +25 | ||
Bert Kaempfert | 215 | 15 | 291 | 55 | 122 | -40 | ||
Notenwert | 254 | 55 | 127 | 56 | 121 | -1 | ||
Euklid | 435 | 52 | 131 | 57 | 121 | -5 | ||
Sopran | 4076 | 66 | 110 | 58 | 119 | +8 | ||
Akkord | 650 | 73 | 106 | 59 | 117 | +14 | ||
Programmmusik | 170 | 87 | 92 | 60 | 116 | +27 | ||
Vaudeville | 1178 | 77 | 100 | 61 | 115 | +16 | ||
Verzierung (Musik) | 237 | 56 | 124 | 62 | 115 | -6 | ||
Vogue (Tanz) | 14 | 332 | 22 | 63 | 114 | +269 | ||
Bariton | 1662 | 57 | 123 | 64 | 113 | -7 | ||
Twerking | 16 | 65 | 112 | 65 | 112 | |||
Vorzeichen (Musik) | 84 | 69 | 107 | 66 | 112 | +3 | ||
Generalbass | 774 | 63 | 114 | 67 | 111 | -4 | ||
Takt (Musik) | 813 | 76 | 101 | 68 | 110 | +8 | ||
Rosalía (Sängerin) | 89 | 82 | 95 | 69 | 110 | +13 | ||
Mezzosopran | 1727 | 84 | 94 | 70 | 108 | +14 | ||
Note (Musik) | 208 | 59 | 120 | 71 | 107 | -12 | ||
Max Reger | 998 | 51 | 131 | 72 | 107 | -21 | ||
Al Jarreau | 332 | 28 | 181 | 73 | 105 | -45 | ||
Kirchentonart | 242 | 67 | 109 | 74 | 104 | -7 | ||
Stabat mater | 154 | 7 | 433 | 75 | 103 | -68 | ||
Eratosthenes | 196 | 45 | 142 | 76 | 102 | -31 | ||
Moll | 434 | 74 | 105 | 77 | 99 | -3 | ||
MIDI | 287 | 64 | 112 | 78 | 99 | -14 | ||
Chanson | 1384 | 81 | 96 | 79 | 98 | +2 | ||
Pepe Lienhard | 190 | 196 | 43 | 80 | 97 | +116 | ||
Operette | 2212 | 83 | 94 | 81 | 97 | +2 | ||
Terz (Musik) | 454 | 85 | 92 | 82 | 96 | +3 | ||
Lindy Hop | 51 | 72 | 106 | 83 | 95 | -11 | ||
Ernst Mosch | 86 | 86 | 92 | 84 | 95 | +2 | ||
Te Deum | 455 | 89 | 87 | 85 | 95 | +4 | ||
Countertenor | 320 | 48 | 134 | 86 | 95 | -38 | ||
Kunstlied | 346 | 116 | 68 | 87 | 94 | +29 | ||
Nationalhymne | 1165 | 68 | 108 | 88 | 94 | -20 | ||
Samba (Tanz) | 135 | 153 | 56 | 89 | 94 | +64 | ||
Sonatensatzform | 386 | 93 | 86 | 90 | 94 | +3 | ||
Beats per minute | 785 | 98 | 82 | 91 | 91 | +7 | ||
Arie | 615 | 110 | 72 | 92 | 86 | +18 | ||
Suite (Musik) | 560 | 103 | 79 | 93 | 85 | +10 | ||
Diatonik | 290 | 90 | 87 | 94 | 85 | -4 | ||
Sirtaki | 26 | 120 | 67 | 95 | 85 | +25 | ||
Filmmusik | 2277 | 92 | 86 | 96 | 84 | -4 | ||
Polka | 483 | 107 | 76 | 97 | 81 | +10 | ||
Tonart | 433 | 97 | 82 | 98 | 81 | -1 | ||
Oberton | 301 | 102 | 79 | 99 | 80 | +3 | ||
Paso Doble | 105 | 71 | 107 | 100 | 80 | -29 | ||
Macarena (Lied) | 52 | 94 | 85 | 101 | 79 | -7 | ||
Partitur | 700 | 121 | 67 | 102 | 79 | +19 | ||
Rhapsodie | 119 | 101 | 80 | 103 | 79 | -2 | ||
Alt (Stimmlage) | 1495 | 111 | 72 | 104 | 78 | +7 | ||
Metronom | 154 | 105 | 78 | 105 | 78 | |||
Register (Orgel) | 5000 | 96 | 83 | 106 | 77 | -10 | ||
B (Notenschrift) | 49 | 182 | 47 | 107 | 76 | +75 | ||
Claus Jacobi (Mediziner) | 13 | - | 0 | 108 | 76 | |||
Wiener Walzer | 152 | 112 | 72 | 109 | 75 | +3 | ||
Kammermusik | 2466 | 113 | 71 | 110 | 75 | +3 | ||
Sonate | 448 | 125 | 66 | 111 | 74 | +14 | ||
Songwriting | 2469 | 104 | 78 | 112 | 74 | -8 | ||
Walter Johannes Lindner | 23 | 441 | 13 | 113 | 74 | +328 | ||
Bluestonleiter | 22 | 130 | 63 | 114 | 74 | +16 | ||
Kantate | 1340 | 160 | 53 | 115 | 73 | +45 | ||
Jive | 121 | 100 | 80 | 116 | 72 | -16 | ||
C-Dur | 333 | 119 | 68 | 117 | 71 | +2 | ||
Cha-Cha-Cha | 140 | 80 | 97 | 118 | 70 | -38 | ||
Rondo (Musik) | 346 | 148 | 57 | 119 | 70 | +29 | ||
Septakkord | 113 | 124 | 66 | 120 | 70 | +4 | ||
Coverversion | 4787 | 99 | 80 | 121 | 69 | -22 | ||
Stimmen einer Gitarre | 10 | 75 | 104 | 122 | 69 | -47 | ||
Anderssprachige Tonbezeichnungen | 29 | 91 | 86 | 123 | 69 | -32 | ||
Charleston (Tanz) | 128 | 95 | 83 | 124 | 69 | -29 | ||
Menuett | 243 | 150 | 57 | 125 | 69 | +25 | ||
Rumba | 208 | 108 | 74 | 126 | 68 | -18 | ||
Tarantella | 72 | 165 | 51 | 127 | 67 | +38 | ||
Quinte | 489 | 126 | 65 | 128 | 67 | -2 | ||
Shanty | 147 | 122 | 67 | 129 | 67 | -7 | ||
Paralleltonart | 129 | 131 | 63 | 130 | 67 | +1 | ||
Tritonus | 176 | 129 | 63 | 131 | 66 | -2 | ||
Volkslied | 1195 | 151 | 57 | 132 | 66 | +19 | ||
Akkordsymbol | 73 | 117 | 68 | 133 | 64 | -16 | ||
Allegro (Musik) | 101 | 135 | 61 | 134 | 63 | +1 | ||
Dur | 408 | 138 | 59 | 135 | 63 | +3 | ||
Langsamer Walzer | 101 | 114 | 71 | 136 | 63 | -22 | ||
Liste von Orgelregistern | 114 | 177 | 49 | 137 | 63 | +40 | ||
West Coast Swing | 26 | 134 | 61 | 138 | 63 | -4 | ||
Bass (Stimmlage) | 2336 | 149 | 57 | 139 | 63 | +10 | ||
Teresa Lorca | 5 | 370 | 19 | 140 | 62 | +230 | ||
Opera buffa | 399 | 188 | 46 | 141 | 62 | +47 | ||
Dreiklang | 199 | 175 | 49 | 142 | 62 | +33 | ||
Foxtrott | 178 | 133 | 61 | 143 | 62 | -10 | ||
Christiaan Huygens | 261 | 146 | 58 | 144 | 61 | +2 | ||
Solmisation | 115 | 147 | 57 | 145 | 61 | +2 | ||
Madrigal (Musik) | 500 | 109 | 73 | 146 | 61 | -37 | ||
Modale Tonleitern | 104 | 128 | 65 | 147 | 60 | -19 | ||
Motette | 1165 | 123 | 67 | 148 | 60 | -25 | ||
Paco de Lucía | 155 | 88 | 88 | 149 | 60 | -61 | ||
Rhythmus (Musik) | 888 | 142 | 58 | 150 | 59 | -8 | ||
Adagio (Musik) | 79 | 132 | 62 | 151 | 58 | -19 | ||
Jean-Philippe Rameau | 465 | 154 | 55 | 152 | 57 | +2 | ||
E- und U-Musik | 89 | 127 | 65 | 153 | 57 | -26 | ||
Passacaglia | 124 | 136 | 60 | 154 | 56 | -18 | ||
Boethius | 314 | 159 | 53 | 155 | 55 | +4 | ||
Panzerlied | 6 | 152 | 56 | 156 | 55 | -4 | ||
Hymne | 958 | 155 | 54 | 157 | 55 | -2 | ||
Nocturne (Musik) | 93 | 161 | 53 | 158 | 54 | +3 | ||
Riff (Musik) | 1707 | 178 | 48 | 159 | 54 | +19 | ||
Blue Note | 98 | 179 | 48 | 160 | 53 | +19 | ||
Lied | 2101 | 176 | 49 | 161 | 53 | +15 | ||
Reel | 57 | 211 | 39 | 162 | 53 | +49 | ||
Nō | 293 | 137 | 60 | 163 | 53 | -26 | ||
Polyphonie | 662 | 184 | 47 | 164 | 53 | +20 | ||
Ferruccio Busoni | 496 | 203 | 41 | 165 | 53 | +38 | ||
Spiritual (Musik) | 45 | 208 | 40 | 166 | 52 | +42 | ||
Atonale Musik | 197 | 174 | 49 | 167 | 52 | +7 | ||
Stufentheorie (Harmonik) | 60 | 162 | 53 | 168 | 51 | -6 | ||
D-Dur | 236 | 158 | 53 | 169 | 51 | -11 | ||
Athanasius Kircher | 226 | 145 | 58 | 170 | 51 | -25 | ||
Notensystem (Musik) | 92 | 115 | 70 | 171 | 51 | -56 | ||
Stepptanz | 312 | 140 | 59 | 172 | 51 | -32 | ||
Tonartencharakter | 36 | 166 | 51 | 173 | 50 | -7 | ||
Anton Webern | 417 | 172 | 49 | 174 | 50 | -2 | ||
Enharmonische Verwechslung | 84 | 204 | 41 | 175 | 50 | +29 | ||
Chromatik | 629 | 167 | 51 | 176 | 49 | -9 | ||
Rezitativ | 563 | 185 | 46 | 177 | 49 | +8 | ||
Revue | 800 | 215 | 38 | 178 | 49 | +37 | ||
Polonaise (Tanz) | 118 | 143 | 58 | 179 | 48 | -36 | ||
Tonhöhe | 290 | 164 | 52 | 180 | 48 | -16 | ||
Riverdance – The Show | 57 | 343 | 21 | 181 | 47 | +162 | ||
Transponierendes Instrument | 33 | 199 | 42 | 182 | 47 | +17 | ||
Streichquartett | 926 | 214 | 38 | 183 | 47 | +31 | ||
Kanon (Musik) | 346 | 190 | 45 | 184 | 47 | +6 | ||
Syntagma musicum | 138 | 186 | 46 | 185 | 47 | +1 | ||
Moritat | 107 | 202 | 41 | 186 | 46 | +16 | ||
Verismo | 132 | 193 | 44 | 187 | 45 | +6 | ||
Versetzungszeichen | 42 | 191 | 45 | 188 | 45 | +3 | ||
Worksong | 30 | 241 | 33 | 189 | 45 | +52 | ||
Groteske | 489 | 187 | 46 | 190 | 44 | -3 | ||
Ententanz | 34 | 139 | 59 | 191 | 44 | -52 | ||
Ouvertüre | 567 | 169 | 51 | 192 | 44 | -23 | ||
Serielle Musik | 243 | 201 | 42 | 193 | 44 | +8 | ||
A-Moll | 181 | 206 | 40 | 194 | 44 | +12 | ||
E-Moll | 181 | 205 | 40 | 195 | 44 | +10 | ||
Dorischer Modus | 125 | 180 | 48 | 196 | 43 | -16 | ||
Moriskentanz | 50 | 307 | 24 | 197 | 43 | +110 | ||
Air (Musik) | 92 | 168 | 51 | 198 | 43 | -30 | ||
Hookline | 362 | 219 | 37 | 199 | 43 | +20 | ||
Coda (Musik) | 468 | 192 | 44 | 200 | 42 | -8 |